Pathways of Art
How Objects Get to the Museum
An illustrated reader on the highly topical subject of tribal art in the museums of the Global North
1st edition, 2022
440 pages, 245 color and 48 b/w illustrations
17 x 27 cm
In collaboration with Museum Rietberg Zürich
Non-European artworks in European and American museums have become the subject of controversial debate. How exactly these collections of art from Africa, North and South America, Asia, and Oceania have been amassed in the Global North over centuries, and how such works continue to be acquired and traded today, is under close scrutiny, and claims for their restitution to the places and people of their origin are voiced loudly.
Zurich’s Museum Rietberg, one of Europe’s most renowned museums of non-Western art, has undertaken an extensive exhibition project to explore the thoroughly ambivalent history of its own collection. The essays in this illustrated reader published in conjunction with the exhibition investigate the pathways along which objects traveled to the museum. They shed light on how the meaning of these artifacts has shifted in the course of the transfers. And they demonstrate the importance of provenance research for learning comprehensively about, and taking a critical approach in, the assessment of the complex biographies of artifacts. Pathways of Art offers an important contribution to the current debate about the status and impact of non-European art in the Global North. It aims to foster awareness of the colonial and postcolonial contexts of trading and collecting such artworks and to help establish new museum narratives.
Contributions by Johannes Beltz, Annette Bhagwati, David Blankenstein, Martin Brauen, Alice Cheng, Sarah Csernay, Eberhard Fischer, Antje Grothe, Nanina Guyer, Mira Jossen, Kim Karlsson, Brigitte Koyama-Richard, Axel Langer, Michaela Oberhofer, Cecilia Pardo, Christian Prager, Alexandra von Przychowski, Esther Tisa Francini, Khanh Trinh, and Rosine Vuille.
Esther Tisa Francini, born 1972, is an historian and head of archives and provenance research at Zurich’s Museum Rietberg.
"Here, the visitor gets to know the Rietberg Museum as a learning museum that conducts research at eye level with experts from societies of origin. And he learns that there is not only one art history, but many. That the Western view no longer dominates. And that's a good thing." Susanne Schreiber, Handelsblatt