As a boy, photographer and filmmaker JĂŒrg Hassler every day passed the studio of sculptor Hans Josephsohn on his way to school. Watching the artist working captivated him and once he had finished school in the late 1950s, Hassler began working as Josephsohnâs assistant and apprentice, eventually becoming a sculptor himself. After studying photography and taking up filmmaking as well, he occupied himself with Josephsohnâs sculptural work also with the camera, resulting in countless images and the film portrait Josephsohn â Stein des Anstosses (JosephsohnâBone of Contention), which was released in 1977.
This new book features a selection of photographs by JĂŒrg Hassler, who predominantly works in black-and-white. Many of them have single sculptures by Hans Josephsohn as a motif, highlighting the artistâs strong archaic expressiveness. Nina Keelâs essay takes a closer look at the context of Hasslerâs photographic engagement with the art of his teacher.